Category Archives: TV Shows

Once British: The American TV Tragedy

I recently confessed my delight about Life on Mars, the British TV series, partially shown on BBC America. There was much to like about this show: it was British, the songs were good ones and worked in the context of the episodes, it was British, the 2006/1973 mystery, and it was British. Unfortunately, the empty-hearted stiffs at BBC America did not care to air the second – final – season and wouldn’t ‘fess up the reasons why they’d stop half-way. The news gets worse. Life On Mars is being redressed for American TV, and, David E. Kelley, writer/creator/producer extraordinaire, is to blame.

Yes, I know that American TV execs have been “borrowing” from the Brits for decades and decades (and American series have been turned into British hits and misses). The sad and basic truth for me is when comparing a British series and the American remake, there is no comparison. If I had the chance to see both versions, with few exceptions, I’d choose the UK broadcast. The British sensibilities, writing, presentation, and, those delightful accents, win every time. [OK, the exception is that I’d rather see Hugh Laurie in House than in Blackadder any day.] I love British TV, always have; ever since I watched The Two Ronnies and Morecambe and Wise every single week, with my dad. Later, we added Monty Python. I can’t recall laughing at American comedy shows that much.

A number of American shows (borrowed from the Brits) have risen up the ranks to become classics in their own right, All in the Family, for example. I was vaguely aware of Til Death Us Do Part, the original source, because it was mentioned in press articles heralding the debut and rise of All in the Family. I never saw one single minute of the British smash and was a bit intrigued to discover that Germany, Japan, and Hong Kong had their own version of the show. I began to wonder just how many series from the UK remade their way onto American TV schedules. This partial list includes the good, the bad, and the forgettable:

British Original /American Remake

George & Mildred/The Ropers

Man About the House/Three’s Company

Steptoe and Son/Sanford and Son

I’m a Celebrity, Get Me Out of Here/I’m a Celebrity, Get Me Out of Here

Absolutely Fabulous/Cybill

Strictly Come Dancing/Dancing With The Stars

Scrapheap Challenge/Junkyard Wars


Keep it in the Family/Too Close For Comfort

Not the Nine O’Clock News/Not Necessarily the News

The Office/The Office

One Foot in the Grave/Cosby

Antiques Roadshow/Antiques Roadshow

Pop Idol/American Idol

Dear John/Dear John

Please Sir/Welcome Back Kotter

*Robin’s Nest*/**Three’s A Crowd

(*follow-up to Man About the House/*follow-up to Three’s Company)

Max Headroom/Max Headroom

There are so many more; some didn’t even require a new name. British Wife Swap spawned two American copies, Wife Swap and Trading Spouses. The two programs aired on different networks.¬† Nothing is sacred, apparently. A UK-US collaboration¬† designed to revive Dr. Who aired in the states as a TV movie pilot.¬† It didn’t work and was relaunched in England. Doctors nos. 9 and 10 are airing (this moment) on BBC American and the Sci-Fi Channel. Hoo-hah.

We’ve grown used to Archie Bunker, Meathead, Chrissie Snow, and Cliff Huxtable. I can’t picture them as beloved British characters. Can you? We isolate this bunch from the comparison.

I did conduct a few side-by-side comparisons: Airline, The Weakest Link, American Idol/Pop Idol, and Changing Rooms/Trading Spaces. I did see the British shows months before viewing their American counterparts. They were entertaining, especially Airline. The American Airline showed a lot of boorish people who wouldn’t take the blame for their own problems and airline employees who wouldn’t compromise airline policy, even when the rules were ridiculous. The British Airline did the same, but the travelers minded their manners a bit more and weren’t so boorish. The Weakest Link’s Anne Robinson was the stronger link. Her American replacement might have been chosen because of a striking physical resemblance, but he lacked her acerbic wit. Her personality propelled the show, making “You’re the weakest link, goodbye”, trademark material. American Idol reached the stratosphere. We’ll save that story for another day when the well runs dry. Redecorating the home of your friend or neighbor while they make over yours sounds like great fun. The British version just seems more exotic.

Getting back to Life On Mars, any tinkering of the original show heads in the wrong direction. However, it’s almost certain that the number of American fans aware of the original show will be dwarfed by those who watch the American version of this British gem. Network and affiliates still beat out specialty cable. That, my friends, is tragic.

Copyright October 13, 2007

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Looking For Life On Mars


Life on Mars, a gem of a TV series, made a whistle stop on BBC America and left the station before we could all hop on and enjoy the whole ride. No word about airing the second, final, season. It’s not the first time BBC America disappoints and it won’t be the last. Some shows, like this one, are trimmed for program time slots. It was shown in its entirety in the UK, so we can plausibly buy a copy of both seasons. A simple DVD transfer from Region 2 to Region 1 and we’re ready to look at Life on Mars.

The show, titled to connect with David Bowie’s Life On Mars, opens in present day (2006) Manchester, England. Chief Inspector, Sam Tyler (John Simms), is pursuing a case when he’s run down by a car. Tyler loses consciousness, briefly. When he comes to he’s ensconced in Manchester, 1973. He’s still a cop, though, lower in rank, and struggles with all things faced by anyone going back in time. Viewers of the first season have eight episodes to ride along with Sam, watch him interact with “new” colleagues, resolve cases with antiquated forensics, and attempt to solve the big mystery. Where in the world is he?

Whether Tyler is really in 2006 or 1973 is answered in the final season. The cryptic clues lead us in several directions. I know how it all turned out, since I read all of season two’s episode summaries and interviews with VIP’s connected with the series. A viewing of the missing episodes, still, would take me along for the rest of the ride. I’d want to watch the series from beginning to end, actually, and catch the material that was edited out of BBC America’s programming.

Bowie’s Life On Mars connects Tyler to both time frames. It’s playing when he’s mowed down, playing when he wakes, and is featured during other moments in the series. I’d like to be with Sam, if only to rewind with the many British pop songs played throughout the series. I love that stuff. Sam is adorable, but he’s so distracted. Actually, most of Sam’s colleagues at the precinct are very engaging, Inspector Gene Hunt (Phillip Glenister), Constable Annie Cartwright (Liz White), DC Chris Skelton (Marshall Lancaster), and DS Ray Carling (Dean Andrews).

If the American fans make enough noise, perhaps BBC America will release pristine copies of the dvd so we can see what we missed. Word has it that the story will continue. A jump to the 80s, a retitle to “Ashes to Ashes” (another Bowie tie-in), and Inspector Gene Hunt at the helm.

For those who won’t wait for the improbable, there’s the cd soundtrack. Many tunes failed to make the cut, but cheer for the ones that did. Artists include: David Bowie, Paul McCartney & Wings, Roxy Music, ELO, T. Rex, Free, Slade, Mott the Hoople, Sweet, Faces, Thin Lizzie, and Uriah Heep.

Copyright © October 10, 2007
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